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This is just a theory but it would seem that these official guidelines are what gave rise to the clean white display devoid of any typical branding associated with the DW-5600 instead simply wearing the NASA logo above the digital display. It's a real looker.

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Chanel has a global brand identity far more powerful than 99% of watch brands. And the highly identifiable Chanel design pillars are no different than that of a Rolex jubilee bracelet or shaped Cartier case. I will go to my grave arguing that design is just as important and just as valuable as a watch's contents. And I'm sure there are many of you who would also agree: looks do matter.

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Just as interesting as this history are Struthers' cultural insights and her tracking of the evolution of the watch from an elite status symbol to a popular tool to a status symbol all over again. These are informed by and interlaced with her personal background and experiences.

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There's a beauty in New York because nobody cares or knows who you are so you can be anything you want. Owning a Rolex was part of that – or so he thought – a way to elevate his place in life as he navigated growing up in New York: a job at an indie record label various projects in the fashion world and writing those watch columns in Esquire. So Jeremy bought a few but they didn't give him joy. Like he said he kind of got into watches for the wrong reasons.

Historically Rolex has been making two-tone versions of the GMT-Master and the Submariner for over half a century. They’re extremely collectable and part of the general watch landscape. You wouldn’t bat an eye at someone rocking a two-tone Sub with an inky blue dial or a killer root beer GMT on a Jubilee bracelet would you?